1.05 seconds of the stream's audio frequency data, the rate of frequency fluctuation, has been selected from an analysis. All installation sound, extracted from the rush of the stream, is mapped to the frequency content of that 1.05 seconds of data. In effect the stream sound is frozen in time.
Audio speakers suspended eighteen inches above the stream are angled to bounce sound off the water. The brook corridor becomes a 389 foot long natural resonating tube that resounds with its own distiilled native sounds.
Over 600 feet of aircraft cable are laced up and down the stream. Two foot bridges give access to views of the work as cable zig-zags from tree to tree. In the middle of the installation the lacing reaches an elevation of 16 feet above stream level.
One thousand feet of gold speaker cable visibly flow underwater as they loosely lace the bottom of the stream. The airborne steel cables visually frame the stream corridor and outlying forest. They become guides to seeing as the landscape optically shifts between three-dimensional reality and two-dimensional framed landscape. The audio, shifting from near to far speakers, mirrors the visua shifts in depth perception.