THE DISTANCE OF THE DISCREET VOYEUR

As seashells emit sounds so do other vessels. Each object's resonance is dependent on the size, shape and materials of the vessel. Each vessel reinforces specific resonant frequencies that give the object's sound its unique character. Computer analysis and filtration allow isolation of these resonant frequencies.

THE DISTANCE OF THE DISCREET VOYEUR is a feedback loop in which the resonant frequencies of musical instruments are returned to their instrument source. The quasi-musical presentation poses an ironic scenario as the instruments present a sound field of their interior sounds not anticipated by the instrument makers.

The confrontational nature of the installation is intentional. The instruments as anthropomorphic performers are theatrically staged. Presented on end, on back, on side they are further de-objectified from roles in traditional music-making. They frame and stand guard before the guitar, a familiar visual arts icon, lying on her back as if on a bed or operating table. The performer-listener status quo is challenged. The perceiver is encouraged to enter the field of play. The British Pop-era drum floats far above at high noon. Who is watching who?

appealing... an intriguing idea...
Boston Phoenix, November 28, 2002

"For this show, the most technically sophisticated pieces are the best, but they hide their gee-whiz effects well. The sound artist Jeff Talman has recorded the reverberation of air through such instruments as a flute, clarinet and trumpet. He then amplified that sound, playing it back through the original instruments.The result is an ominous-sounding performance, enhanced by the eerie absence of players and Talman's impeccable installation."
Boston Herald, November 24, 2002