The sound of snow falling is the sole sound source for the installation, which is available to cross-country skiers in the Bavarian Forest, Germany. WHITE SOUND DOWN is situated to engage the open mental state experienced when exercising in a whited-out environment, which shares similarities with experiencing art in a gallery setting.

During a Bavarian snowfall I was amazed at the complexity of the hushed sound events. The density of the sound field was impressive, but the three-dimensional, vector-like sense of the hundreds of thousands of infinitesimally small sound trajectories was amazing. The recording I made could not capture the experience of being in the all-over dense field of sound, but it did capture its mass of amplitude and frequency contents.


White Noise is the equal probability of all sound frequencies occurring at equal amplitude. This was a permeation of downward motions, an immersive, cascading White Sound both figuratively and literally.

Analysis of the snowfall sounds identified primary frequencies, much like an aural DNA of the event. WIth programmed filtering I freed those primary frequencies, amplifeid them and then created a multi-channel sound field in the forest.





The installation aims at the perception of a natural phenomenon, the sound of snow falling. Incresaingly rare in the region, the lack of snowfall has effected the people, the regional economy, and the sense of the place as it is known.



Many thanks to the people of Waldmünchen and Fürth im Wald.

Support provided by Emerson College, Kulturverein Bayrischer Wald e.V., the Voithenberg Foundation and the John S. Guggenheim Foundation.


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